藍染Indigo dyeing

藍染の歴史は古く、紀元前4千年頃に遡ると言われています。日本では、法隆寺と正倉院に藍染の布が遺されていることから、奈良時代には藍染が行われていたと考えられています。技術の開発や合成染料の展開による衰退を経験しながらも、藍染の布は現在まで仕事着や、着物、暖簾や布団、手ぬぐいなど、暮らしのあらゆる場面を美しく彩ってきました。

藍の染料をつくることを「藍を建てる」といいます。日本独自の伝統的な藍の建て方は、「すくも」(蓼藍の葉を、収穫後に4ヶ月も発酵させて堆肥状にしたもの)を地中に埋めた甕の中に灰汁で仕込み、微生物の栄養にお酒や麸をくわえて発酵を促します。染める準備ができると甕の表面に「藍華(あいのはな)」と呼ばれる美しい藍色の泡沫が浮き上がります。染め人は色艶や状態を見ながら、愛情をこめて大切に藍甕のお守をするのです。

学生の頃から藍に魅せられてこの伝統的な藍建ての技術を学び、50年以上に渡り作家活動を続けてきた新道弘之さんは、昔ながらの里山風景を残す京都・美山の大きな茅葺民家に「ちいさな藍美術館」を設立しました。一階の工房ギャラリーでは独自の染め技術による作品と制作風景を、二階の展示場では世界各国の貴重な藍染作品を見学することができます。染めたての鮮やかで澄みきった青、古布の柔らかな深い青…ゆっくり静かに時が流れる空間で、さまざまな藍色の表情を味わえます。美しい水と豊かな自然に恵まれたこの場所で、古今東西人々に愛されてきた藍染文化を守り、育て、広く発信することが自分に与えられた使命かもしれません、と新道さんは語ります。

Indigo dyeing has a long history, which is believed to stretch back to four thousand years B.C.. In Japan, it is thought that the indigo dyeing method was being used in the Nara Period (710-794 A.D.) due to the fact that indigo dyed cloth is stored in the Horyuji temple and the Shosoin Repository of the Todaiji temple in Nara. Although the technique has been in decline as a result of the development of technology and synthetic dyes, up until today, indigo-dyed cloths have been colouringvarious aspects of daily living beautifully in the form of working clothes, Kimono, Noren curtains, Futon, Tenugui towels, and so on.

Making indigo colorant is described as ‘building indigo’. The traditional Japanese building method of indigo is: preparing ‘Sukumo’ (a compost of knotweed indigo leaves fermented for four months afterharvesting) with froth in an earthen pot which is buried under the ground, and adding Sake or wheat bran for microbes to help fermentation. When the colourant is ready, beautiful indigo-coloured foam called ‘Ai no Hana (flower of indigo)’ will rise to the surface of the pot. The dyer thus looks after the indigo pot with great care and love, monitoring the complexion and condition.

Hiroyuki Shindo has been enthralled by indigo, starting to study the methodology of ‘building indigo’ when he was a student.As a dyer artist, he has been developing his creative career for over fifty years, and established ‘The Little Indigo Museum’ in a spacious old house with a thatched roof in Miyama in Kyoto, where we can still see an idyllic woodland landscape. In the workshop gallery on the ground floor of the Museum, we are able to see works and working process with a unique dyeing technique. In the exhibition hall on the first floor, we are able to explore precious works of indigo dyeing from all over the world. The freshly-dyed vivid clear blue, the soft, deep blue of aged indigo… Here, we are able to enjoy various expressions of the colour of indigo in a space where time passes slowly and quietly.Mr Shindo says that it is perhaps his given mission to protect and develop the indigo dyeing culture,which has been loved by all ages and countries, and introduce it widely, starting from this place of beautiful water and a rich natural environment.

シンディゴシボリ手ぬぐいShindigo Shibori (tie-dyed) Tenugui towel

¥2,500

ちいさな藍美術館 The Little Indigo Museum

〒601-0712 京都府南丹市美山町北上牧41 41 Kita, Miyama, Nantan-shi, Kyoto 601-0712 JAPAN

+81 (0)771-77-0746

Website: http://shindo-shindigo.com/

E-mail: shindigo@cans.zaq.ne.jp